Fleeing-Police-Officer

Seeking Various Genres for TV Show – $1K ALL-IN – DUE 7/23/25

›Please be sure to read the brief in its entirety and thoroughly before submitting. 

SONGS SENT VIA EMAIL WILL NOT BE CONSIDERED.

SONGS THAT DO NOT MATCH THE REFERENCES WILL NOT BE CONSIDERED.

SONGS IN DRAFT STATUS WILL NOT BE PITCHED. ALWAYS INCLUDE INSTRUMENTALS

Creative Brief:

We’re working on season 1 of a scripted series and are need of various music styles – please see below:

Direction #1 – Opening Scene
Our lead character pulls up to a hotel, laying low while on the run from law enforcement. Despite the tension, the vibe remains cool and confident—think swagger, resilience, and a bit of rebellious charm.

Direction #2 – Running from the Police

Two characters are escaping from the police and speeding down the Pacific Coast Highway. This is an intense, cinematic escape—adrenaline-fueled but stylish. The music should evolve with the chase: start uptempo, drive into a heavy, hook, and then land in a resolution or breath of relief.
We’re looking for:

  • Uptempo, fun hip-hop or R&B, also open to Alt Rock, Alt Pop
  • Should feel like a track you’d hear on urban radio—something current, catchy, and full of personality
  • Male vocals only
  • Lyrics can reflect themes like: being untouchable, staying cool under pressure, moving in silence, or bouncing back

Reference Vibes:

  • Anderson .Paak
  • Cordae
  • Ty Dolla $ign
  • Big Sean
  • Lucky Daye (with a hip-hop edge)

TERMS:

Genre: Various

Vocal: Male

Use: All Media, Internet

Length of use: Full (flexible length)

Versions: Cutdowns, multiple edits, versions, lifts

Term: Worldwide, perpetuity 

Payout: $1,000 all-in, per track 

Deadline:  Wednesday, July 23rd at 11:59 PST 

Tracks must be all cleared. No samples. One Stop

Submissions are reviewed, but do not guarantee placement. If your song is a fit, someone from our A&R team will contact you.

For additional questions, please review our FAQ’s.

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Only pitch music you own 100% of the master recording and publishing or you know who controls these rights. Do not pitch music made with samples or leased beats.

Instead of “sync songs”, we prefer real concepts that sound like they were made for radio but work well on TV.

 

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