- ›Please be sure to read the brief in its entirety and thoroughly before submitting.
SONGS SENT VIA EMAIL WILL NOT BE CONSIDERED.
SONGS THAT DO NOT MATCH THE REFERENCES WILL NOT BE CONSIDERED.
SONGS IN DRAFT STATUS WILL NOT BE PITCHED. ALWAYS INCLUDE INSTRUMENTALS
Creative Brief:
We are looking for female vocal-driven songs with strong, immediate hooks and choruses that grab attention within the first few seconds. Lyrical elements should range between fun, energetic with swagger, emotional, and sexy/sensual, while still feeling current and commercially polished. We are prioritizing the 7 themes below:
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Empowerment / Boss Energy
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Boss moves, handling business, Love yourself / self-worth / Having a good time
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Love & Relationships (Positive)
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Soulmates / Ride or die / Waiting for you / You’re my sister / here for you
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Heartbreak & Loss
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Breakup / loneliness / being alone / Losing the one you love / Missing you / nostalgia / good old times
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Drama, Conflict & Betrayal
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Trust issues / can’t be trusted / Betrayal / Always drama / drama follows / Trouble’s brewing
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Inner Struggle & Emotional Conflict
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Regret decisions / Making mistakes / Difficult choices / World falling apart around me
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Secrets & Tension
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Keeping secrets / Hidden truths / double lives
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Family & Loyalty
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Anything for family / Father/son relationships / Loyalty themes (overlaps with ride-or-die energy)
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References:
TERMS:
Genre: Various
Vocal: Female (only)
Use: All Media, Internet
Length of use: Full (flexible length)
Versions: Cutdowns, multiple edits, versions, lifts
Term: Worldwide, perpetuity
Payout: $8,000 ALL-IN, per track (before commission)
Deadline: Friday, March 20th at 11:59 PST
Tracks must be all cleared. No samples. One Stop
Submissions are reviewed, but do not guarantee placement. If your song is a fit, someone from our A&R team will contact you.
For additional questions, please review our FAQ’s.
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Only pitch music you own 100% of the master recording and publishing or you know who controls these rights. Do not pitch music made with samples or leased beats.
Instead of “sync songs”, we prefer real concepts that sound like they were made for radio but work well on TV.
